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Photographs by David Carmack.
ABOVE Looking
toward the reconstructed Exchange end. The Codmans combined rustic
stone walls with salvaged columns, urns, and statues to create a uniquely
New England version of an Italian garden.
BELOW Mask fountain, part of the water circulation system.
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of Bacchus. |
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An illustrated essay
on the Codman House grounds by landscape historian Alan Emmet
appears in SPNEA's publication on the Codman Estate. The book
is available for $5 including tax and shipping. Please send
a check to SPNEA, 141 Cambridge St., Boston, MA 02114 or email
your order to cbruce@historicnewengland.org. |
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In the first of several steps in the planned rehabilitation of
the hundred-year-old Italian garden at Codman House, in Lincoln, Massachusetts,
a long-lost landscape feature-the marble-columned pergola known as
the "Exchange" end of the garden-has been restored. In 1790,
when John Codman first took control of the property, he immediately
began making improvements to the buildings and the landscape with
the aim of creating a country estate in the English manner. The estate
was sold after his death, but in 1862 his grandson, Ogden, and his
bride, Sarah, bought it back. Ogden set about making his own mark,
repairing features from his grandfather's day, adding improvements,
and planting exotic specimens and trees.
The great Boston fire of 1872 inflicted severe losses on the family's
investments in real estate and insurance. The family was obliged
to lease out the mansion and move to rural France, where from 1874
to 1884 they lived a more frugal life. Although they returned to
America on and off thereafter, their unstable finances forced them
at times to lease out the mansion or live in Europe again for several
years. Nonetheless, the estate held a strong grip on their imaginations,
and in 1897 they were finally able to return to the place they considered
the family seat.
In 1899, Ogden's wife, Sarah, who was increasingly taking over
management of the place with guidance from her architect son, Ogden,
Jr., began construction of what she called "the garden."
For the better part of three years workmen cleared a low marshy
area northwest of the house, excavated a pool, enclosed the garden
with fieldstone walls, and erected columned pergolas at each end.
At the east end, a pergola of concrete columns made by Sarah's son
Tom was assembled, with rustic poles above to hold vines of clematis,
wisteria, and honeysuckle. In the shade below were urns with potted
trees, benches, a statue, and a fountain with a cherub and dolphins.
A more formal pergola was erected at the west end, featuring marble
columns reputedly salvaged from a burned building the Codmans owned
at Exchange Place in Boston. Squared and finished timbers capped
this pergola, which was also covered with vines and featured a mask
fountain, a statue, and additional urns.
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ABOVE The
garden is wider at the east end, near the house.
The resulting forced perspective, a French technique,
exaggerates the garden's length. |
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The key elements of an Italian garden are all present: water features,
symmetrical placement of beds, paths, and furniture, a sense of enclosure
created by the stone walls, surrounding trees, and a depressed site.
A strong axial plan and a liberal use of classical ornament reinforce
the theme. One can only speculate about the authorship of the sophisticated
design, as no documentation has been found among the family's extensive
papers. Surely the family's prolonged stays abroad, not to mention
their awareness of the newly fashionable taste for Italian gardens,
had a significant influence.
Sarah herself selected and planted the flowers, reworking beds
from year to year depending on the success of previous trials. She
worked in her garden until, in 1911 at the age of sixty-nine, knee
problems kept her from the daily toil, and her daughter Dorothy,
also an avid gardener, took over. Sarah died in 1922, and by the
end of the 1920s, the garden so lovingly created and tended was
in decline. The great hurricane of 1938 toppled trees onto the Exchange
end of the garden, destroying the pergola and shattering the marble
columns.
In the mid 1970s, after the Codman estate became the property of
SPNEA, staff worked with volunteers to uncover the Italian garden,
excavating the pool and resetting its stone lining, restoring the
east end, and reestablishing beds along the stone walls. The task
of reconstructing the Exchange end was too daunting, however, and
the marble columns and their capitals were left among the vines
and poison ivy behind the stone wall.
Now, with the aid of the Massachusetts Historic Preservation Projects
Fund, the Felicia Fund, and the Ogden Codman Trust, the Exchange
end, the garden's focal point, has been restored following a cultural
landscape report by landscape architects Mohr & Seredin of Portland,
Maine. Vines have been planted to climb the restored columns, the
pots and urns have been returned to their seasonal locations, and
annuals and perennials fill the "long" and "wild"
beds once again. The desire of John Codman to create an elegant
country estate was continued by each generation of descendants to
live there. More than two hundred years later, this is a legacy
that SPNEA strives to preserve.
-Michael Lynch
Vice President for Properties & Preservation
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